Development of the Cinema

The Effect of South African Geopolitical Position in the Development of Cinema in South Africa

This paper will discuss about the role of the geopolitical location of South Africa in the development of movie and the cinema industry in this country. Despite of bringing ci-nema to South Africa by white Europeans, but the development of this phenomenon is mostly due to the geopolitical position of this country. It is interesting to know that ci-nema reached Africa in much the same time as it...

تحلیل و بررسی عوامل مؤثر بر تقاضای سینما؛ مطالعه موردی: سینما در شهر زنجان

Arts can be counted as a base for evolution of culture that causes the growth and flowering of society and its people. The observations indicate that the artistic and cultural activities can have a considerable contribution to the economy. Comparing with other artistic and cultural productions, Cinema with its special characteristics can play an important role in economics of arts. During two r...

Religious Cinema and the Transfer of Religious and Revolutionary Values to Future Generations (Case Study: Analysis of the Content of the Gold and the Copper Film)

The transmission of values in a country like Iran, which has a society and political system based on religion, has a twofold importance. Cinema in our country can be improved by localizing it - as one of the most basic and most impressive media of the modern world- based on the Islamic Revolution values and principles. It is evident that the continuous monitoring and evaluation of products in t...

compiling cinema economics policies indicators and study of Iran's situation

evaluation is one of the important levels of policymaking and scientific evaluation needs the related indicators. So the main goal of this article is compiling indicators for cinema economics in Iran. The used method is applied and analysis of second data. for compiling indicators documentary method is used and all indicators were collected from Iranian and other studies. the result list was se...

Iranian Cinema: The Puzzle of Westernization and Self-Orientalism

Ontology of Time in Cinema A Deleuzian reading of Still Life and Prince Ehtejab With an emphasis on the concept of Time-Image

Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like Italian neorealism, Cinema2 speak...